Stage Fright

Pular para o conteúdo
  • Inicial
  • Autor
  • Textos publicados
Pesquisa

pere portabella

Screenshots: Cuadecuc, Vampir (Pere Portabella, 1971)

31 de março de 202031 de março de 2020 / Daniel Dalpizzolo / Deixe um comentário

Espalha neblina falsa, liga a câmera, prepara a carruagem: da forma concreta à abstração das formas, da escuridão à luz, faz-se a magia do cinema.

vlcsnap-2020-03-31-10h55m20s813
vlcsnap-2020-03-31-10h55m22s880
vlcsnap-2020-03-31-10h55m24s592
vlcsnap-2020-03-31-10h55m26s668
vlcsnap-2020-03-31-10h55m28s539
vlcsnap-2020-03-31-10h55m32s051
vlcsnap-2020-03-31-10h55m34s845
vlcsnap-2020-03-31-10h55m37s509
vlcsnap-2020-03-31-10h55m46s460
vlcsnap-2020-03-31-10h56m13s339
vlcsnap-2020-03-31-10h56m18s703
vlcsnap-2020-03-31-10h56m22s041
vlcsnap-2020-03-31-10h56m24s843
vlcsnap-2020-03-31-10h56m28s062
vlcsnap-2020-03-31-10h56m31s741
vlcsnap-2020-03-31-10h56m36s655
vlcsnap-2020-03-31-10h56m41s428
vlcsnap-2020-03-31-10h56m43s547
vlcsnap-2020-03-31-10h56m45s419
vlcsnap-2020-03-31-10h56m48s631
vlcsnap-2020-03-31-10h56m51s883
vlcsnap-2020-03-31-10h56m53s548
vlcsnap-2020-03-31-10h56m54s796
vlcsnap-2020-03-31-10h56m56s460
vlcsnap-2020-03-31-10h56m57s865
vlcsnap-2020-03-31-10h56m59s292
vlcsnap-2020-03-31-10h57m00s539
vlcsnap-2020-03-31-10h57m01s747
vlcsnap-2020-03-31-10h57m03s455
vlcsnap-2020-03-31-10h57m09s280
vlcsnap-2020-03-31-10h57m10s755
vlcsnap-2020-03-31-10h57m12s254
vlcsnap-2020-03-31-10h57m18s101
vlcsnap-2020-03-31-10h57m25s273
vlcsnap-2020-03-31-10h57m27s162
vlcsnap-2020-03-31-10h57m28s457
vlcsnap-2020-03-31-10h57m30s034
vlcsnap-2020-03-31-10h57m37s966
vlcsnap-2020-03-31-10h57m44s852
vlcsnap-2020-03-31-10h58m08s117
vlcsnap-2020-03-31-10h58m14s945
vlcsnap-2020-03-31-10h58m22s876
vlcsnap-2020-03-31-10h58m28s346
vlcsnap-2020-03-31-10h59m34s164
vlcsnap-2020-03-31-10h59m52s246
vlcsnap-2020-03-31-11h00m02s561
vlcsnap-2020-03-31-11h00m06s484
vlcsnap-2020-03-31-11h00m09s594
vlcsnap-2020-03-31-11h00m15s966
vlcsnap-2020-03-31-11h00m24s709
vlcsnap-2020-03-31-11h00m28s764
vlcsnap-2020-03-31-11h00m32s602
vlcsnap-2020-03-31-11h00m38s273
vlcsnap-2020-03-31-11h00m43s601
vlcsnap-2020-03-31-11h00m47s096
vlcsnap-2020-03-31-11h00m50s446
vlcsnap-2020-03-31-11h00m55s600
vlcsnap-2020-03-31-11h01m02s091
vlcsnap-2020-03-31-11h01m22s845
vlcsnap-2020-03-31-11h01m25s718
vlcsnap-2020-03-31-11h01m33s870
vlcsnap-2020-03-31-11h01m39s519
vlcsnap-2020-03-31-11h01m46s349
vlcsnap-2020-03-31-11h01m53s462
vlcsnap-2020-03-31-11h01m54s792
vlcsnap-2020-03-31-11h01m55s999
vlcsnap-2020-03-31-11h02m31s941
vlcsnap-2020-03-31-11h02m37s094
vlcsnap-2020-03-31-11h02m59s857
vlcsnap-2020-03-31-11h02m12s697
vlcsnap-2020-03-31-11h03m06s405
vlcsnap-2020-03-31-11h03m08s775
vlcsnap-2020-03-31-11h02m49s838
vlcsnap-2020-03-31-11h02m10s396
vlcsnap-2020-03-31-11h01m57s464
vlcsnap-2020-03-31-11h01m59s345
vlcsnap-2020-03-31-11h02m03s444
vlcsnap-2020-03-31-11h02m05s881
vlcsnap-2020-03-31-11h02m08s066
vlcsnap-2020-03-31-11h02m54s135
vlcsnap-2020-03-31-11h03m13s364
vlcsnap-2020-03-31-11h03m15s492
vlcsnap-2020-03-31-11h03m17s621
vlcsnap-2020-03-31-11h03m19s910
vlcsnap-2020-03-31-11h03m22s640
vlcsnap-2020-03-31-11h03m24s673
vlcsnap-2020-03-31-11h03m26s984
vlcsnap-2020-03-31-11h03m29s330
vlcsnap-2020-03-31-11h03m34s823
vlcsnap-2020-03-31-11h03m37s162
vlcsnap-2020-03-31-11h03m39s584
vlcsnap-2020-03-31-11h03m41s931
vlcsnap-2020-03-31-11h03m44s631
vlcsnap-2020-03-31-11h03m53s575
vlcsnap-2020-03-31-11h03m58s353
vlcsnap-2020-03-31-11h04m04s878
vlcsnap-2020-03-31-11h04m07s936
vlcsnap-2020-03-31-11h04m14s811
vlcsnap-2020-03-31-11h04m19s030
vlcsnap-2020-03-31-11h04m23s386
vlcsnap-2020-03-31-11h04m29s699
vlcsnap-2020-03-31-11h04m32s170
vlcsnap-2020-03-31-11h04m34s414
vlcsnap-2020-03-31-11h04m39s545
vlcsnap-2020-03-31-11h04m41s880
vlcsnap-2020-03-31-11h04m45s793
vlcsnap-2020-03-31-11h04m48s229
vlcsnap-2020-03-31-11h04m50s992
vlcsnap-2020-03-31-11h04m54s683
vlcsnap-2020-03-31-11h04m59s841
vlcsnap-2020-03-31-11h05m02s458
vlcsnap-2020-03-31-11h05m09s732
vlcsnap-2020-03-31-11h05m12s741
vlcsnap-2020-03-31-11h05m16s625
vlcsnap-2020-03-31-11h05m26s416
vlcsnap-2020-03-31-11h05m28s707
vlcsnap-2020-03-31-11h05m32s266
vlcsnap-2020-03-31-11h05m34s384
vlcsnap-2020-03-31-11h05m36s689
vlcsnap-2020-03-31-11h05m39s541
vlcsnap-2020-03-31-11h05m42s481
vlcsnap-2020-03-31-11h05m45s096
vlcsnap-2020-03-31-11h05m49s432
vlcsnap-2020-03-31-11h05m53s207
vlcsnap-2020-03-31-11h05m55s505
vlcsnap-2020-03-31-11h05m58s102
vlcsnap-2020-03-31-11h06m00s295
vlcsnap-2020-03-31-11h06m05s811
vlcsnap-2020-03-31-11h06m08s581
vlcsnap-2020-03-31-11h06m11s103
vlcsnap-2020-03-31-11h06m13s292
vlcsnap-2020-03-31-11h06m16s249
vlcsnap-2020-03-31-11h06m30s857
vlcsnap-2020-03-31-11h06m33s271
vlcsnap-2020-03-31-11h06m35s727

Daniel Dalpizzolo

Jornalista, crítico, membro da Associação Brasileira de Críticos de Cinema (ABRACCINE).

Follow Stage Fright on WordPress.com

Arquivo | Posts do blog

  • Cinema
    • Comentários
    • Críticas
    • Listas
    • Screenshots

Arquivo | Outras publicações

  • Textos publicados

sites & blogs

  • Anotações de um Cinéfilo
  • À Pala de Walsh
  • Cinema na Varanda
  • Cineplayers
  • Contracampo
  • Dementia 13
  • Dicionários de Cinema
  • Estado da Arte
  • Filmes do Chico
  • Meu Nome Não é Superoito
  • Multiplot
  • My Two Thousand Movies
  • Palavra e Utopia
  • Pitchfork
  • Rascunho
  • Revista Cinética
  • Revista Foco
  • Revista Interlúdio
  • Revista Rocinante
  • Revista ] Janela [
  • Sérgio Alpendre
  • Senses of Cinema
  • Sight & Sound
  • Touro Enraivecido
  • Tudo Vai Bem

Contatos

  • Ver perfil de danieldalpizzolo no Facebook
  • Ver perfil de dandalpizzolo no Twitter
  • Ver perfil de dandalpizzolo no Instagram
  • Ver perfil de dalpizzolo no Pinterest
  • Ver perfil de daniel-dalpizzolo-56904951 no LinkedIn
Crie um site ou blog no WordPress.com
Cancelar

 
Carregando comentários...
Comentário
    ×